2021/2022 Volunteer Endowment Trust – the Access Initiative gets your vote!

Dear Volunteers,

We are thrilled to announce that thanks to the 101 volunteers who participated in our recent vote, the Volunteers of the AGO have chosen to financially support the Access Initiative in 2021/2022. By supporting this program, the volunteers are helping realize the AGO’s goals of bringing people together with art, reflecting the diversity of our city, and building a sustainable future. Thank you to everyone who took the time to vote and for helping to make the AGO an accessible place for all! 

Maya Kotlarenko, Volunteer President, on behalf of the Volunteer Council

AGO Talks: A Continued Conversation on Residential Schools

Tuesday, June 8, 1 pm EST

Visit AGO.ca to view our event on June 8, 2021. (Talk will be broadcast live on the website – you cannot pre register for this talk: click on the link above on June 8 at 1pm to view)

We want to honour and remember the 215 children of the Kamloops Residential School (Tk’emlups te Secwepemc First Nations community) who now peacefully rest in the spirit world. We acknowledge the resilience of Residential School Survivors, their families and all those who are still missing and have never made it home.

Join Audrey Hudson, Richard & Elizabeth Currie Chief of Education & Programming, in conversation with Robert Durocher (Vice-Principal), Jenny Kay Dupuis (Author), and Eekwol (Hip-hop Artist). The talk will be centred on a continued conversation about residential schools and available resources within the AGO’s collection.

This discussion is for everyone: students, teachers, parents and anyone who wants to begin having these culturally safe conversations.

A Message from the Director and CEO: Residential School Deaths

Dear Everyone,

I wanted to share a statement that will be posted on the AGO’s social media channels today. It acknowledges the deaths of 215 Indigenous children at the former Kamloops Residential School. The reality of this horrific finding is brutal.

I ask all of us to consider how we use our mission – exhibitions, collections and programming – and the institution of the AGO to create a more just and inclusive culture. How do we understand the impact of our colonial history on Indigenous peoples, and what do we need to do to help seek reconciliation? I will be pushing to change the AGO at all levels. It will make us uncomfortable at times, and it will create debate and uncertainty, but the progress we need to continue to make has to be systemic and real. There are moments when I will lead this conversation, but I don’t have all the answers. There are moments when I need others to lead. A year ago we launched AGOU. Some of you spent your time learning about the history of colonialism and Canada. Some of you learned more about our history from an Indigenous perspective. Remember, action based in knowledge is a powerful tool to create an even better culture.

In addition to making the statement below, we are working on specific programming opportunities that will provide continued learning and understanding of our past and present, and their impact on people and culture today. This will be open to all staff and members of the public, and will be announced soon. I also want to acknowledge the ongoing work of our Virtual Schools Program, and encourage you to take a half hour to join one of the sessions.

I recognize that this is a traumatic time, particularly for our Indigenous colleagues. Let’s be mindful of this and be good to one another. 

Sincerely,

Stephan

Public statement:

In remembering the thousands of children who never returned home and the survivors of the residential school system, we have lowered our McCaul Street flags to half-mast for 215 hours.

We will continue to use our Virtual School Program platform to honour and remember the 215 children, students of the Kamloops Residential School (Tk’emlups te Secwepemc First Nations community) and all those who never made it home and are still missing.

The violence against and deaths of 215 Indigenous children at the former Kamloops Indian Residential School is a stark reminder of the history and ongoing reality faced by Indigenous Peoples within the borders of Canada. Non-Indigenous people living in Canada must face historical truths as settlers and arrivants. This is a reminder that settler colonialism is an ongoing process that continues to have present-day impacts on the lives of First Nation, Inuit and Métis peoples.

From 1863-1996, over 150,000 children were separated from their families and forced to attend the Indian Residential School System operated by the Canadian government and churches. The last residential school in Saskatchewan closed in 1996. The Truth and Reconciliation Report released on July 23, 2015 describes this policy as a “cultural genocide” targeting First Nation, Inuit and Métis peoples.

The Art Gallery of Ontario operates on Michi Saagig Nishnawbe territory (Mississauga Anishinaabeg). Toronto is governed by treaty 13 between the Mississauga of the Credit and the Canadian government (1805, 2010). Since 1701, Toronto is governed by the Dish with One Spoon treaty between the Anishinabeg and the Haudenausonee to peaceably share resources. Prior to 1701, Toronto was also governed by a treaty between the Wendat confederacy and the Michi Saagig and Anishinaabeg. Toronto is home to large diverse urban Indigenous population. 

The AGO is working to further truth and reconciliation by deepening efforts towards acknowledging and dismantling colonialism and anti-Indigenous racism in all areas and levels of our organization, including in our exhibitions, collections and art programming. 

Artist Spotlight: “We Are the Land”

Artist for social change and Art Educator Mahlikah Awe:ri Enml’ga’t Saqama’sgw chats Indigenous art education and its importance for generations to come.

In light of our recent Diversity & Inclusion learning sessions, and the important conversations continuing in this time, in this Artist Spotlight, the AGO celebrates the work and contributions of one of our Indigenous Art Educators, Mahlikah Awe:ri Enml’ga’t Saqamasgw

Mahlikah Awe:ri. Photo by John Brancaccio (One Circle Media).

Since its debut last fall, an integral part of the AGO’s daily, free Virtual School Program has been the regular themed sessions about Indigenous art, led by our talented team of Indigenous art educators. And while summer school holidays are fast approaching, a few more Indigenous Art explorations remain before the Virtual School Program wraps on June 18. To mark these, we caught up with Afro-Indigenous Kanien’kéha & Mi’kmaw artist and experienced AGO educator Mahlikah Awe:ri to chat more about her role, the overwhelming feedback from students and what it means to share knowledge with others about Indigenous Art.

AGOinsider: What do you like most about being an art educator?

Awe:ri: I see this role as an extension of my medicine bundle, as a creative being and emerging knowledge keeper. Being an art educator gives me an opportunity to engage in knowledge sharing from an Indigenous lens, in spaces and with audiences that were not always accessible to us as Indigenous peoples. And that brings me joy. I also genuinely love learning about other First Nations, Métis and Inuit artists. This role has enabled me to expand my perspective on Indigenous art and the diverse ways in which we see ourselves, our history, herstory, to the colonial project and our contemporary relationships to stewardship and sovereignty on these lands. 

This conversation further illuminates the philosophies shared by Wanda Nanibush and Dr. Duke Redbird in our recent Diversity and Inclusion Learning session. Read the full article, here (via AGOinsider)

Artist Spotlight: Anything and beyond

The AGO is hosting a free digital screening of the powerful short film It Can Be Anything, which features a young artist’s inspiring journey.

“It can be anything” is the open-ended, all-encompassing mantra offered by artist Rachel Doucette as a description of her work. Doucette’s abstract drawings and inspiring journey as a creative person are centred in a brand new short film, It Can Be Anything, named after her powerful mantra. The 28-year-old artist lives with an intellectual disability that can make verbal communication challenging, but allows her artistic voice to resound with much clarity. 

Marsha Doucette (left), Rachel Doucette (right). 

Directed by filmmaker Ryan Bergmann, produced by Doucette’s sister Marsha and featuring animation by Good Form Studio, It Can Be Anything uses Rachel’s unique lens to explore the beauty of her artistic practice and life narrative.

On June 11, the AGO will host a screening of the film via Zoom, (register, here) followed by a discussion with Marsha Doucette, Ryan Bergmann and Dylan Carquez (Good Form).      

Weekly Message from Our Director and CEO, Stephan Jost

Hello Everyone,

Earlier this week, we shared a message about Ontario’s Re-Opening Plan. Basically what this means for the AGO is that we will open likely later in July with Andy Warhol installed and ready for our public. The exact date is not known yet – it all depends on the speed of vaccinations and decline of case numbers – all milestones determined by the Province. But just knowing that an opening date is in sight is very encouraging. We will communicate with everyone about our plans as things crystalize. (A reminder: though we hope to re-open the doors soon, staff re-entry will be staggered, and will apply only to essential workers)

It’s important that we all continue to follow health guidelines and wear masks, social distance and wash our hands regularly. Even though COVID is still a reality, there is lots to look forward to this summer.

Summer Pop! is a free series of online art activities for kids of all ages inspired by Andy Warhol, every Monday through Sunday in July. Online art courses for adults at https://ago.ca/learn/courses are now open for registration.  We will continue to offer art and learning opportunities for our public in spite of COVID barriers. Spread the word.

Take care and stay safe,

Stephan

Restoring Kathleen Munn

Conservation science reveals the true colours and dynamism of one of Canada’s leading, but too long forgotten, modernist painters.

Kathleen Jean Munn. Untitled (Two Figures in a Landscape), c. 1925. Oil on canvas, 51.2 × 42.7 cm. Gift of William and Verna Richards, 2012. © Estate of Kathleen Munn 2012/98.

Among the first artists in Canada to experiment with abstraction, Kathleen Munn was active in Toronto in the 1920s and ’30s; she was considered by some as one of the most advanced, if confounding, artists of her time. Discouraged in part by the dominance of the Group of Seven and landscape painting in Canada, she stopped making art around 1939, and by the time of her death in 1974, she was relatively forgotten. 

Recent conservation work, and research undertaken in partnership with the Canadian Conservation Institute, have yielded significant new understandings of her techniques, methods and materials. We connected with Stephanie Barnes, former AGO Koerner Conservation Fellow, and Georgiana Uhlyarik, AGO Fredrik S. Eaton Curator, Canadian Art, to learn more about their efforts to reveal Munn’s accomplishments.  

If you’re missing a glimpse behind-the-scenes into the details of collections work, read the whole newsy exchange, here (via AGOinsider).

Weekly Message from Our Director & CEO, Stephan Jost

Hello Everyone,

It’s the long weekend so I’m going to keep this short.

Yesterday the province announced its re-opening plan. In terms of what this means for the AGO, Leadership Team will be assessing the 3-part plan for the next few days. I will be back in touch next week with more details.

Basically, the more people who get vaccinated, the more quickly we can put COVID behind us. Finally, we are seeing the light at the end of the tunnel. It’s there and it’s real.

Sun’s out, shades out. Have fun this weekend and be safe.

Stephan

A Message from Stephan Jost: Christy Thompson

Hello volunteers, Though we don’t share all staffing announcements, we know Christy will be familiar to many of you, given her appearance at Town Halls, and in guiding our exhibition program. Such exciting news for Christy! A fresh start; we will miss her at the AGO – Holly

Christy Thompson

Hello everyone,

I’m writing to share the extraordinary news that Christy Thompson has accepted the position of Senior Deputy Director, Exhibitions and Collections, at the Museum of Modern Art, New York. I am exceptionally proud of Christy, but of course it is bittersweet to say goodbye to a wonderful colleague who has done so much for the AGO.

Christy joined the AGO in 2013 as the Associate Director of Administration & Corporate Secretary. In 2015 she was appointed Chief, Exhibitions and Collections, and soon after Conservation was added to her responsibilities and title. She led and directed activities of exhibition and collection installation, collection care, registration and the scheduling, logistical management of gallery installations, and much more.

Some of the experiences over the years that are most noteworthy to Christy include working with Maxine Granovsky Gluskin as Corporate Secretary when Maxine was newly appointed President of the AGO Board of Trustees; securing the touring Yayoi Kusama exhibition for the AGO and overseeing its successful installation; working with her entire division on Look:Forward, the sweeping reinstallation of the AGO Collection, virtually overseeing couriers during the pandemic; and co-chairing the COVID task force as the Gallery navigated through complex circumstances.

This opportunity at MoMA will draw on Christy’s strategic thinking and creativity as the museum navigates its post-pandemic future in one of the world’s largest cities. She will be challenged in exciting new ways, and I have no doubt that her work will make a positive impact on the museum community internationally. Christy begins at MoMA in mid-September. Her last day at the AGO will be in mid-summer, with the exact date to be determined. Interim plans for her position will be announced at a later date.

Please join me in congratulating Christy on her many accomplishments at the AGO, and on this remarkable step in her career. We will miss her.

Sincerely,

Stephan

Reminder to Vote: 2021/2022 Volunteer Endowment Trust (VET) Project Proposal (voting closes May 28)

For a second year in a row, the Volunteer Council (VC) and the AGO Development team are excited to present the Volunteers of the AGO with the opportunity to select a gallery project to financially support using funds from the Volunteer Endowment Trust (VET).

The Volunteer Endowment Trust (VET) was established in 2001 with a Letter of Agreement between the AGO, The AGO Foundation and the Volunteers of the AGO. The original capital that created the fund continues to remain invested and, each year, an annual distribution of 4% of the fund (approx. $50,000) is made available in order to fund a project. The AGO Development team has identified 4 projects for consideration that reflect the Gallery’s strategic priorities of Art, Access and Learning:

  • Exhibition Support: Robert Houle: Red is Beautiful (December 3, 2021- April 3, 2022) Dates subject to change
  • Program Support: Access Initiative
  • Program Support: Virtual School Programs
  • Exhibition Support: Matthew Wong: Blue View (August 14, 2021 – April 18, 2022) Dates subject to change

The 4 options are outlined in the link below, and you can ONLY CHOOSE ONE PROJECT to support. For more details on each project including exhibition images and donor recognition details, please see the PDF attachment, sent via Holly’s email. (If you missed this, feel free to email Holly for an additional copy of the PDF).

LEARN MORE AND CAST YOUR VOTE HERE: https://forms.gle/gpAKesmUAYmVVSNX8

Voting is open to volunteers from May 11-28, 2021. To ensure only one vote per volunteer, we are asking you to include your name, email and placement type at the end of the survey. This will also help us to identify trends in volunteer priorities! Please be assured that your individual responses will be kept confidential and only viewable to Maya and Holly.

If you have any questions about the survey, please reach out to Holly Procktor ([email protected]) or your Volunteer President, Maya Kotlarenko ([email protected])

Thank you for having your say! Voting closes May 28.