An Opening Blessing

Last week, member of the Saugeen First Nation, Dr. Duke Redbird shared an original poem in honour of the unveiling of Brian Jungen’s Couch Monster: Sadzěʔ yaaghęhch’ill, at the corner of Dundas and McCaul.

Brian Jungen, Couch Monster: Sadzěʔ yaaghęhch’ill (2022). (DETAIL) Bronze.

The AGO’s first-ever public art commission, Brian Jungen’s Couch Monster: Sadzěʔ yaaghęhch’ill, is now at the corner of Dundas and McCaul Streets. The work arrived in Toronto in June 2022, and at the artist’s request, the installation was blessed in an intimate ceremony led by Dr. Duke Redbird, an Member of the Saugeen First Nation, ahead of its public reveal. 

Redbird recited an original poem for an intimate crowd, dedicating it to the new sculpture.

Take a look at his poem below, entitled A Dish With One Spoon

A DISH WITH ONE SPOON
The Indigenous Nations
Welcomed settlers from across the seas
When they arrived in their territories
Such beauty revealed before their eyes
Was beyond their ability to describe
In all the languages that the Settlers spoke
There were no words that could evoke
With any clarity a single thought
That Mother Nature’s splendor brought
It was from the Indigenous tongues
That they learned the language of the Earth
In all Her idioms
TORONTO from TKARONTO
Trees standing in the water
A meeting place where small fish could gather
Nearby hills where Alders grow
That was called Etobicoke
In the autumn before the winter snows

The passenger pigeons rested in MIMICO
And to the west where the Great waters flow
The lake and lands were called ONTARIO
The eagle soars high with prayers for MANITOU
The MISSISSAUGA people smudge
And launch their birch bark canoes
Three sisters: corn, bean and squash
The planting season has begun
Tobacco is offered a gift to Grandfather sun
Sage, sweetgrass and cedar to Grandmother moon
There is peace, joy and contentment
In the treaty lands called
A Dish With One Spoon

A Dish With One Spoon
Dr. Duke Redbird ©
November 2, 2020

Brian Jungen Public Art Commission Talk with Julian Cox

Zoom Recording: Training session with Caroline Shields, Associate Curator & Head of European Art

We all really enjoyed our conversation with Caroline Shields, Associate Curator & Head of European Art, who took us through the recent re-installation of the European galleries, focusing on works from the 1700 and 1800s. For those that missed it, please find the zoom link recording (below). Up next – Watch for a session with Adam Levine, Assistant Curator of European Art, who will continue this conversation in the Medieval and Baroque galleries. We’ll schedule this in the Fall, as we take a summer break. – Holly

Here’s the link to our meeting with Caroline:

https://us06web.zoom.us/rec/share/2MkzfdV3Spu985eqhFCfLKqGRobmkJp9b5eQ7ewh-q_nyvVuokMpgMMhmGQqyn11.wNphMu7d4MJI1rhB?startTime=1656021750000

I’m also posting here, a link to Adam’s recent Faith and Fortune Curator’s talk ( a public talk)- on June 11:

https://www.youtube.com/watch?v=4GwHHxoqLdM&feature=youtu.be

Weekly Message from Our Director and CEO, Stephan Jost

Hello Everyone,

Today I would simply like to acknowledge everyone’s hard work and contributions to two significant milestones:

  • Our first public art commission and installation – Brian Jungen’s Couch Monster: Sadzěʔ yaaghęhch’ill
  • Faith and Fortune – an extraordinary summer show that is beautiful, has contemporary relevance and is part of a global conversation about colonization

I am tremendously proud of these two initiatives and of course many other activities that are happening at the AGO. You each played a role in bringing them to fruition. Do take a moment to acknowledge what we have accomplished together. We’ve been through a lot, and I’m grateful to all of you.

Take care,

Stephan

Weekly Message from Our Director and CEO, Stephan Jost

Hello Everyone,

With more staff back on site regularly, this summer is a moment for all of us to take some time to enjoy being in one another’s company, to say hi to old colleagues and welcome many new ones.

As the school year ends, so too does our last Virtual School program for 2021/22. Shout out to Zavette Quadros-Evangelista and the entire school programs team – they delivered 432 sessions this year focusing on 216 artworks from our collection with a weekly average of 1,000 students. Well done!

National Indigenous Peoples Day is next Tuesday, June 21st. Artist Isaac Murdoch will be sharing his 7th story from his online series Stories of the Seven Grandfather Drums. I encourage you to attend his session or listen to the recordings whenever convenient. Also on the 21st, there is a Facebook Live performance of Métis Jiggers and Fiddlers. See the links below for more details. Please do take some time on Tuesday to reflect on the contributions of Indigenous Peoples to our country, especially in the arts sector.

https://ago.ca/events/artist-isaac-murdoch-and-stories-seven-grandfather-drums

https://ago.ca/events/metis-jiggers-and-fiddlers

Take care and stay safe,

Stephan

Weekly Message from Our Director and CEO, Stephan Jost

Hello Everyone,

This week we opened Faith and Fortune: Art Across the Global Spanish Empire. It is an exquisite exhibition that includes silverware, fine jewellery, sculpture, paintings, textiles and books from Spain, Latin America and the Philippines. In other words, there is an expansive array of works that have been carefully researched, installed and presented. The show is a global, cross-cultural study of the visual culture of the Spanish Empire and its colonizing impact. I am particularly impressed by the Philippine daguerreotypes, on view for the first time, an important moment for Toronto’s large Filipino community. A big congratulations to everyone involved.

Many of you are also preparing for Brian Jungen’s sculpture to be installed at Dundas and McCaul. This is a wonderful moment for the AGO and public art. More to follow next week.

Take care,

Stephan

Curator’s Talk this weekend: Faith and Fortune, Saturday June 11 at 2pm

Join Curators Adam Harris Levine and Tahnee Pantig and Interpretive Planner Gillian McIntyre for a conversation about Faith and Fortune: Art Across the Global Spanish Empire.

You can attend this talk in two ways:

  • This talk will be taking place IN-PERSON on Saturday June 11 at 2pm in Baillie Court. Reserve your ticket, HERE. If you are NOT a Member or Annual Passholder, simply reserve a ticket as an Adult (scroll down the page slightly to do this)
  • Good news! This talk will also be LIVESTREAMED (meaning you can watch at home online, in real time), HERE.

Faith and Fortune: Art Across the Global Spanish Empire brings together more than 200 sumptuous and inspiring works of art from Latin America, the Philippines and Spain made between 1492 and 1898.  This exhibition, from the collection of the Hispanic Society Museum & Library, allows us to study critically the mechanics of colonization by examining the visual culture of the Spanish Empire.

(Like all AGO-originated talks, there’s a good chance this talk will make its way to the AGO Youtube account, we’ll post an updated link when it becomes available).

Collection Highlights

RBC Art Pick: Untitled (Personal Painting) by Canadian Artist Ron Terada

Ron Terada. Untitled (Personal Painting), 1995. acrylic and gesso on canvas, Overall: 122.2 x 122.2 x 3 cm. Art Gallery of Ontario. Purchased with the assistance of the Louis Comtois Trust, 1999. © Ron Terada. 2000/62

Recently reinstalled on Level 4 (Contemporary), AGOinsider is showcasing new acquisitions and collection highlights. For this RBC Art Pick, we have selected a painting, Untitled (Personal Painting) (1995), by Vancouver-based Canadian artist Ron Terada. 

Spanning more than two decades, Terada’s artistic practice includes painting, photography, video, music, text and publication-based works. Exploring language as the main subject for much of his art, he often uses text from a variety of sources and meticulously stencils it onto monochromatic painted canvases. 

For Untitled (Personal Painting), Terada appropriated text from a personal ad found in a print newspaper, which narrates a missed encounter between two people. This painting focuses on the deep desire for human connection and happenstance. In contrast with the neutrality of the text’s presentation, which is standardized and rigid, the underlying message is vulnerable and earnest.  

At first glance, the surface in Untitled (Personal Painting) appear commercially produced. However, in contrast to the “industrial” surfaces of minimalist paintings of the 1960s, Terada’s approach is intimate and painstakingly personal. To create the background of his canvases, he laboriously cross-brush paints his canvas, for which he may apply up to 80 coats of paint. (!!!) From there he adds the “figure” as the final step—one “coat” of text.  Read more, in AGOinsider.

Upcoming Talk – Gathering Colour: Artist Anong Migwans Beam (Monday June 13, 7pm)

I‘m excited about this one, volunteers! If you are a colour-lover, you may already be familiar with Beam Paints. This talk, with Artist Anong Migwans Beam, is being presented in partnership with AIC 2022: Sensing Colour, Midterm meeting of the International Colour Organization (AIC), organized by the Colour Research Society of Canada – Holly

Join artist and paint maker Anong Beam for a talk about her love of pigment, paint, colour, and innovation.

You can attend this talk in two-ways:

  • This talk will be taking place IN-PERSON on Monday June 13 at 7pm in Jackman Hall. Reserve your ticket, HERE. If you are NOT a Member or Annual Passholder, simply reserve a ticket as an Adult (scroll down the page slightly to do this)
  • This talk will also be LIVESTREAMED (meaning you can watch at home online, in real time), HERE.

Anong Migwans Beam is a painter from Mchigeeng First Nation on Manitoulin Island and is inspired by the physical history of place, the natural landscape, and the relationship between water and memory. Anong was born to artist parents, Carl Beam and Ann Beam, who encouraged her to develop as an artist. She was raised with a meaningful connection to both her artistic familial roots and rich ancestral heritage. Beam’s large format oil paintings incorporate a multitude of image making approaches, including photo transfer, printmaking and collage.

Note:  Automated captioning is available for all online programs. Please provide three weeks advance notice for requests for Verbal Description, American Sign Language (ASL) interpretation and/or live captioning for AGO programming. The AGO will make every effort to provide accommodation for requests made with less than three weeks notice. Please contact us to make a request for these accommodations. Learn more about accessibility at the AGO.

Weekly Message from Our Director & CEO, Stephan Jost

Hello Everyone,

Earlier this week, Alain Graham shared the message below about employees returning to work on-site. I must say, I have seen the positive impact of people being together over the past couple of weeks and yesterday I met with the entire Education & Program team, who held their first in-person meeting in more than two years. It feels good to be back together!

During the past couple of weeks, Charles Smith of CPAMO has been sharing findings from the staff-wide organizational assessment focusing on diversity, inclusion, equity and accessibility at the AGO with Leadership Team and Cian Knights. Again, I want to thank everyone for participating in this process, including the survey and focus groups. It is clear people currently feel engaged – and want to be further engaged – with our DEI strategy.

I do have some sad news to share. Many of you will remember Nancy Hunter from the retail shop. Unfortunately Nancy recently passed away, which is deeply upsetting. Many of us who knew and worked with Nancy remember her as a committed professional and wonderful colleague. Here is some information about Nancy’s passing:  

https://www.dignitymemorial.com/en-ca/obituaries/dundas-on/nancy-hunter-10769581

It’s a good moment to pause and take some time out of your day to thank someone you work with, personally, for the job they do at the AGO. Let’s all remember to do just that.

Take care Stephan,

P.S. June 1st marks the beginning of Pride Month. Happy Pride! I have to admit, it is one of my favourite months of the year.

A Message from Retail Operations

It is with great sadness that we announce the passing of our dear friend and colleague, Nancy Hunter, on May 27, 2022.

Beautiful soul, Nancy Hunter

A talented artist, Nancy was a graduate of OCAD and Toronto Metropolitan University. She was an employee of the Art Gallery of Ontario for over 30 years.

Nancy graced the front line of the AGO with her unflagging cheer and goodwill.  A gracious co-worker and genuine friend to many staff, volunteers and patrons, her presence will be deeply missed.

Baking and sharing her famous carrot cake, describing her latest painting adventure, or celebrating a sunny day, Nancy always had a smile, kind word and greeting for those around her.  She was very close with her family, and loved traveling to the family farm on the weekends or visiting her dear brother in the UK.

Her family has requested donations be made in her memory to the Canadian Cancer Society.

Online condolences may be made on this page at Dignity Memorial.