Posts filed under “Uncategorized”
A Message from Diversity & Inclusion: Sept 30 – National Day for Truth and Reconciliation
Dear Everyone, The Art Gallery of Ontario operates on land that is Michi Saagig Nishnawbe (Mississauga, Anishinaabe) territory and the territory of the Wendat and Haudenosaunee. Today marks Canada’s first National Day for Truth and Reconciliation, a day of remembrance, reflection, action and learning about the history of residential schools, survivors, their families and communities, and […]
Upcoming: Talking Blue
On Tuesday October 5, artists Soumya Netrabile and Peter Shear join AGO Deputy Director & Chief Curator Julian Cox for a conversation about the extraordinary life and practice of Matthew Wong On view now, Matthew Wong; Blue View is introducing visitors to the late Chinese-Canadian painter’s unique exploration of the many moods of blue. Comprising […]
A day to remember and reflect: the first National Day for Truth and Reconciliation
In keeping with the first National Day for Truth and Reconciliation (September 30, 2021), it’s a good time to revisit A Continued Conversation on Residential Schools, a virtual discussion the AGO hosted in June 2020, about thoughtfully sharing the history and intergenerational effects of residential schools with children and youth. Robert Durocher, Vice-Principal at Kâpapâmahchakwêw […]
A Message from Diversity & Inclusion: Fireside Chat with Michelle Emson
As part of our Diversity & Inclusion Learning, volunteers are invited to watch this Fireside Chat with Michelle Emson, about her personal experience of transitioning in her workplace, and the practices put in place to support her journey. Watch the recording here (when prompted, enter Access Passcode: AGOS3pt!3) As an additional resource, Michelle also recently […]
Exhibitions: Dawoud Bey, John Edmonds, Wardell Milan
Dawoud Bey (born 1953), John Edmonds (born 1989), and Wardell Milan (born 1977) — contemporary African-American artists from three generations — all consider how photographs continue to shape Black American experiences. In these works, from series made between 2017 and 2019, the artists grapple with African-American visual representations over time. They are driven by various […]
Exhibitions: Documents, 1960s-1970s
In the 1960s and 1970s, documentary photography took on new power and meanings. In the aftermath of the Second World War, interactions shifted between citizens and their governments, between colonizers and the newly independent, and between other groups as new sociocultural dynamics evolved. This exhibition looks at how photographers around the world—from Bamako to Mumbai, […]
Weekly Message from Our Director & CEO, Stephan Jost
Hello Everyone, There is some amazing programming for Fragments coming up and if you’re onsite this weekend, check out AGO Live: Sonic Saturdays Steel Pan. Our events section of the website https://ago.ca/events/browse has more details about this performance and other talks including an Art in the Spotlight talk with Georgiana Uhlyarik on the work of […]
Weekly Message from Our Director & CEO, Stephan Jost
Hello everyone, I am enjoying hosting guests at the Bistro patio outside along Dundas. The Development team is doing a wonderful job bringing donors onsite. They are in action every day and it’s great to see them deepening relationships with AGO supporters. If you haven’t had a chance to enjoy lunch at the patio, do […]
Collection Stories: The Secret Life of Blue Irises
In case you missed it, in January we took a glimpse into the gardens of Gustave Caillebotte. AGO curator Dr. Caroline Shields led a Close Looking examining the master Impressionist’s signature style Since 2019, Blue Irises, Garden at Petit Gennevilliers (1892) by French Impressionist Gustave Caillebotte (1848-1894) has been part of the AGO Collection. Dr. Caroline Shields, AGO Associate […]
Contextualizing Portraiture in Andy Warhol, with Curator Kenneth Brummel
Andy Warhol was paid nearly $1 million to produce a portrait series featuring Black and Latinx trans women and drag queens in 1975. What can this body of work tell us about the representation of transgender and racialized people in art? What does it mean to be increasingly visible in a world that both celebrates […]