Opening Soon: Spring Exhibitions

Blurred Boundaries: Queer Visions in Canadian Art (opens April 9)

A new installation of 13 works from the AGO Collection explores queer connections to liberation, resistance and creativity:

Cassils, Advertisement: Homage to Benglis, 2011. Part of the six-month durational performance Cuts: A traditional Sculpture. Archival pigment print, 101.6 x 76.2cm. © Cassils. Photo: Cassils with Robin Black, Courtesy of the artist.

Blurred Boundaries: Queer Visions in Canadian Art features a select 13 works, all pulled from the AGO Collection, by the likes of General Idea, Will Munro and Frances Norma Loring, alongside some recent acquisitions of Cassils, David Buchan and Robert Flack. Curated by Renata Azevedo Moreira, AGO Assistant Curator, Canadian Art, Blurred Boundaries is not intended to be an exhaustive survey of queer art in Canada, but rather, an entry point into broader conversations on the topic. Visitors are asked to consider how queerness is understood and visualized within the landscape of Canadian art. “This exhibition,” explains Moreira, “suggests queer readings in contemporary and historical works, offering connections that are not exclusively bound by gender or sexuality, but rather focus on how the works question the status quo of their time. What does it mean to explore, from a queer lens, our understanding of artistic practices today and 100 years ago? That’s the challenge.”

I AM HERE: Home Movies and Everyday Masterpieces (April 13- August 14, 2022)

Fiona Smyth, I AM HERE, 2021. Ink on paper and digital drawing. Commissioned by the Art Gallery of Ontario. © Fiona Smyth

From the earliest cave paintings to TikTok, humans have found creative ways to document their day-to-day lives. I AM HERE: Home Movies and Everyday Masterpieces, a major new AGO exhibition opening in April of 2022, is a revealing look at our universal need to capture, share and cherish the everyday. Featuring lost-and-found home movies from the Prelinger Archives, alongside celebrated artworks by the likes of David Hockney, Patti Smith, Claes Oldenburg, Annie Pootoogook, Arthur Jafa and Mary Pratt, as well as snapshots, photo albums, letters, television, grocery lists, and social media, I AM HERE brings together a broad range of personal records from different time periods and locales to explore the shared human impulse to document life as it happens.

Co-curated by Jim Shedden, the AGO’s Manager of Publishing, and Alexa Greist, AGO Associate Curator and R. Fraser Elliott Chair, Prints & Drawings, in collaboration with archivist, scholar and writer Rick Prelinger, the exhibition is a celebration of daily life and human creativity, replete with music and creative prompts. Among the artworks on display will be a digital collage of the more than 3000 submissions received from around the world as part of the AGO’s 2021 Portraits of Resilience exhibition.

Faith and Fortune: Art Across the Global Spanish Empire (June 8 – October 10, 2022)

Faith and Fortune: Art Across the Global Spanish Empire brings together more than 200 sumptuous and inspiring works of art from Latin America, the Philippines and Spain made between 1492 and 1898.  This exhibition, from the collection of the Hispanic Society Museum & Library, allows us to study critically the mechanics of colonization by examining the visual culture of the Spanish Empire. As artists, books and patrons moved throughout the Empire, the art created was beautiful, highly international and cosmopolitan. Visitors will see Latin American, Filipino and Spanish paintings, sculpture, printed books and textiles alongside each other, revealing the material and artistic connections.

Through the lens of great art, visitors will encounter the global, cross-cultural movement of people, ideas and artforms happening across both the Atlantic and Pacific oceans. Beginning with the earliest episode of colonization — Columbus’s arrival in the Americas — the exhibition offers visitors important insights into the histories of resource extraction, the spread of Christianity, the development of racial categories and Indigenous resistance to conquest. These four centuries of art provide a unique perspective on the lasting legacies of colonization. 

Organized by the AGO, from the collection of the Hispanic Society Museum & Library