We asked this year’s award winners a bit about themselves. This week: Phyllis Couzin, Prints & Drawings
How did you get started at the AGO?
I started at the AGO after returning to Toronto from living abroad for 4 years. I was a bit a loose ends, had developed a personal interest in old master drawings while living abroad, and Kathy Lochnan, then curator of Prints and Drawings, suggested I become a volunteer in the P&D Study Centre
How long have you been part of the AGO volunteer community?
I have been a volunteer for 19 years.
What roles have you taken at the gallery?
Two years after becoming a P&D volunteer, I moved to the Gallery Guide program. During my tenure as a gallery guide, I was co-chair of the guides for two years, co-chair of the 2009 National Docent Symposium, and Volunteer President, 2010-2014. I served on the Volunteer Executive for 10 years, and have chaired Volunteers Connect since 2015. Feeling that I needed a change, I left the gallery guide program in 2015 and returned to P&D. Changing placements was an extremely difficult decision, and Melissa Smith very generously and kindly assured me that I could return to the Guides at a later date if I wanted.
What is your most memorable AGO exhibition and why?
The Florentine Gold. I am especially interested in Italian art from the Middle Ages into the Renaissance.
What is your most rewarding volunteer moment or experience at the gallery?
I have had many experiences that were personally rewarding. Bringing the Docent Symposium to fruition and opening it with my co-chairs Ann Wilcox and Debbie Kennedy was extremely meaningful. Being President for four years and working closely with both staff and volunteers was also a special experience. I have very much enjoyed taking on challenging roles.
What is your background, have you always been involved in the arts?